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CREDITS

As we know it currently, the following people were involved in the film:

CAST

Jonathan Joestar - Katsuyuki Konishi

Dio Brando - Hikaru Midorikawa

William Anthonio Zeppeli - Rikiya Koyama

Erina Pendleton - Nana Mizuki

George Joestar I - Tsutomu Isobe

Tonpetty - Yoshinada Sakaguchi

Wang Chan - Jun Itoda

Dario Brando - Kazuhiro Ozawa

Tarkus - Yoshinori Sonobe

Bruford - Tōru Nara

Dario's Woman - Youko Soumi

Police Inspector - Masaru Ikeda

Vagrant/Drunk Man - Kenta Miyake

Joestar Mansion Servant - Masaaki Tsukada

Policemen - Shinnosuke Tachibana, Hitoshi Bifu

Crew Members - Hitoshi Bifu

Friends - Yuudai Sato, Nobuhisa Nakamoto, Shinnosuke Tachibana

 

STAFF

Original Author - Hirohiko Araki
Director, Character Design, Chief Animation Director - Junichi Hayama
Screenplay/Script - Mitsuhiro Yamada
Art Director - Satoru Kuwabara
Director of Photography - Hideo Ozaki
Postrecording Director - Yasunori Honda
Color Design - Mieko Seki
Editing - Shigenari Nishi
Sound Design - Tom Myers
Composer - Marco D'Ambrosio
Theme Song - "Voodoo Kingdom" by SOUL'd OUT

Production: Another Push Pin Planning

Distribution: The Klockworx, Ltd.

There was also a Phantom Blood Production Committee which included Another Push Pin Planning and Klockworx, although most of their exact roles in the film's creation are currently either unknown or can merely be speculated on. The Committee consisted of:

  • Another Push Pin Planning: Animation/production company. Main producers of the film.

  • The Klockworx Ltd.: Film distribution company. Main distributors of the film. Shueisha: Multimedia corporation. Rightsholders/Parent Company for the JoJo IP.

  • Asmik Ace Entertainment (now known as Asmik Ace): Film distribution company and former video game developer. Exact role in production committee is currently unknown.

  • Sumitomo Corporation: General trading company. Former parent company of Asmik Ace Entertainment. Exact role in production committee is currently unknown, though it can be speculated that it was because of Asmik Ace's involvement.

  • TV Tokyo : TV station in Tokyo. Exact role in production committee is currently unknown, though it can be speculated that they either helped advertise the film on TV, or they had some sort of financial stake in the film's production.

  • Sony PCL: Audio and video solution company/member of Sony Group companies. Exact role in production committee is currently unknown, though it can be speculated that they provided equipment that helped produce the movie's visuals and sound.

  • Bandai: Toy company and video game company (as Bandai Namco). Exact role in production committee is unknown, though it can be speculated that their involvement was mainly tied to the PS2 game and the events hosted for it prior to the film's theatrical debut.

THEATERS

United Cinemas

  • Toshimaen (Tokyo, February 17th)

  • Toyosu (Tokyo, February 17th)

  • Iruma (Saitama, February 17th)

  • Maebashi (Gunma, March 6th)

  • Niigata (Niigata, February 17th)

  • Sapporo (Hakkaido, February 17th)

  • Toyohashi 18 (Aichi, February 17th)

  • Inazawa (Aichi, February 17th)

  • Agui (Aichi, February 17th)

  • Authentic 16 (Gifu, February 17th)

  • Kanazawa (Ishikawa, February 17th)

  • Kishiwada (Osaka, February 17th)

  • Otsu (Shiga, February 17th)

  • Canal City 13 (Fukuoka, February 17th)

  • Fukuoka (Fukuoka, February 17th)

  • Nakama 16 (Fukuoka, February 17th)

  • Nagasaki (Nagasaki, February 17th)

 

Human Trust Cinema Shibuya (formerly Shibuya Amuse CQN) (Tokyo, February 17th)

 

Kichijoji Baus Theater (Tokyo, February 17th)

 

Warner Mycal Cinemas

  • Minato Mirai (Kanagawa, February 17th)

  • Ebira (Kanagawa, February 17th)

  • Myoden Ichikawa (Chiba, February 17th)

  • Kitami (Hokkaido, March 31st)

  • Ebetsu (Hokkaido, March 31st)

  • Hirosaki (Aomori, March 31st)

  • Natori (Miyagi, March 24th)

  • Tsu (Mie, March 31st)

  • Ibaraki (Osaka, February 17th)

  • Akashi (Hyogo, March 31st)

  • Hofu (Yamaguchi, March 31st)

  • Kamimine (Saga, February 17th)

Kawasaki Cinecitta (Kanagawa, February 17th): They screened the film from February 17th to March 16th in a digital format. When asked about the movie potentially being archived, they said that when they finished the screening, they had to return the film to Klockworx, the distributor of the film.

 

Keisei Rosa 10 (Chiba, February 17th)

 

MOVIX Saitama (Saitama, February 17th)

 

TOHO Cinemas

  • Hitachinaka (Ibaraki, April 7th)

  • Utsunomiva (Tochigi, April 7th)

 

Fuji Cine Prego (Shizuoka, March 31st)

 

Nagano Grand Cinemas (Nagano, April 7th)

 

Dinos Cinemas Asahikawa (Hokkado, February 17th)

 

Cinemadict (Aomori, March 24th)

 

Hachinohe Forum (Aomori, March 31st)

 

Sendai Forum (Miyagi, March 24th)

 

Yamagata Forum (Yamagata, March 31st)

 

Morioka Forum (Iwate, March 31st)

 

Fukushima Forum (Fukushima, March 31st)

 

Gold Theater (Aichi, February 17th)

 

Theater Big City (Toyama, no release date listed)

 

Cine Libre

  • Umeda (Osaka, February 17th)

  • Kobe (Hyogo, February 17th)

 

Cinema Clair (Okayama, March 24th)

 

Hiroshima Salon Cinema (Hiroshima, March 24th)

 

Kinuyama Cinema Sunshine (Ehime, March 31st)

 

Hall Soleil (Kagawa, no release date listed but had Stone Mask Strap)

 

Oita Cinema 5 (Oita, no release date listed but had Stone Mask Strap)

 

Miyazaki Piccadilly (Miyazaki, March 31st)

 

DENKIKAN (Kumamoto, March 31st) Sakurazaka Theater (Okinawa, March 31st): They screened the film in a 35mm film format. They also confirm that since the film was screened back in 2007, no more box office data exists. When asked about the movie potentially being archived, they referred us back to Klockworx, the distributors of the film.

INTERVIEWS

Andy Sadler, a member of the Phantom Blood Archive, got the opportunity to interview Tom Myers (Sound Designer) and Marco D'Ambrosio (Composer) for his radio show, Sadler's Selections. You can find and watch the interviews below.

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